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亚博_奕居国际+ Herman Miller广州零售展厅照明设计
时间:2019-06-11 13:13:29     浏览: 217次 作者:亚博

设计概述 | Overview

全部空间是一个精力性的建筑群落,意味品牌(设计)的调集,共分四个部门,别离代表经典(伊姆斯佳耦的经典设计)、科技(人体工学椅)、健康(家庭办公)、艺术(糊口艺廊),到达完善的产物展现和纯洁的空间体验。经典之家、人体工学椅区和家庭办公区组成了Herman Miller广州零售展厅,糊口艺廊则展现了奕居国际代办署理的其它品牌调集。

▼整体外不雅,exterior overview

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The entire space is a spiritual architectural community that integrates brands and designs. It consists of 4 areas centering on distinctive themes including classic design, technology, health and art, which provides perfect products display and a pure spatial experience. “House of Classic Design”, “Ergonomic Chair Zone” and “Home Office” constitute Herman Miller’s showroom in Guangzhou, while “Living Gallery” presents a collection of products from other brands which Yi’s International has signed agency agreement with.

▼轴测图,axon

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01. 经典之家

House of Classic Design

“细节不只是细节。有了细节,才有产物。”“The details are not the details. They make the design.” – Charles Eames

作为20 世纪最有影响力的伟年夜设计师,伊姆斯佳耦(Charles Eames和Ray Eames)与Herman Miller的合作关系发源在二十世纪四十年月末,其享誉全球的Eames躺椅,被纽约现代艺术博物馆永远收藏。

As the most influential and greatest designers in the 20th century, Charles and Ray Eames’ cooperation with Herman Miller started from the late 1940s. The world-renowned Eames Lounge Chair they created is a part of permanent collection of New York’s Museum of Modern Art.

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位居中间的小板屋,初志是向历经 60 多年浸礼的设计经典致敬,以容纳Eames佳耦最具代表性的作品。缔造一个精力性的空间,就像柯布西耶晚年在马丁角的斗室子一样。

The small timber cabin at the middle area is meant to accommodate the most representative works of the designer couple, and pay a tribute to classic designs that have been lasting for more than 6 decades. It’s a spiritual space, just like Le Corbusier’ vacation cabin in Cap Martin.

▼经典之家容纳了Eames佳耦最具代表性的作品,House of Classic Design accommodates the most representative works of Charles and Ray Eames

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水泥雕塑是小板屋的魂灵。它本是一根无意义的柱子,设计师利用斯卡帕焦点的“割除”概念把它割除一番,使之成为一个兼具利用功能和意味意味的雕塑,成为空间的精力集中体。 “割除”的意义不在“去失落”,反而是让它无中生有,割除其“晦气”,使之酿成“有益”。小板屋的灯光避免利用射灯,用柔和的光源画出油画一样浓厚的色调,给人汗青的沉淀感。

The sole of the space lies in the cement sculpture, which was originally a meaningless column. Through adopting Carol  Scarpa’s core “Cutting” concept, the designers turned the column into a sculpture that combines functions and symbolic meaning and a spiritual center in the space. “Cutting” doesn’t mean “cutting off completely”, but creating something out of nothing, and cutting out the “the disadvantageous” whilst transforming it into “the favorable”. The design team chose to utilize soft light sources rather than spotlights in the cabin, with a view to producing an oil-painting-like tone and delivering a sense of age.

▼水泥立柱被“割除”为兼具利用功能和意味意味的雕塑,the cement column is turned into a sculpture that combines functions and symbolic

雕塑之在小板屋,是一个微缩版的建筑,但标准已够小了吗?当我们再次深切,细心感触感染雕塑细部,发现这是又一个维度的世界。正像空间设计的进程一样,需要深切到精力内部, 才能将空间的精力再现。

Set in the wooden hut, the sculpture is a miniature architecture. Is it minimal in scale? When looking more deeply and feeling its details, we can discover a world of another dimension. Just like the spatial design process, it needs to go very deep to reproduce and convey the spirit of space.

▼雕塑细部,sculpture detailed view

艺术品选择斟酌:

1.眼睛的意向和对面的女性身体构成一种联系关系,使空间更具人道。2.乔治·尼尔森和 Eames佳耦可以说一路形塑了美国现代家俱的样貌。两位卓异的艺术巨匠作品在布满汗青感的处所再现使空间变得更厚重。

Considerations for artwork selection:1.The painting sketching a female body can form some connection with the sight line directly, making the space more humanistic.2.George Nelson and Charles & Ray Eames are arguably masters who shaped the picture of modern furniture in America. Their works add a sense of age and history to the space.

▼室内细部,interior view

▼Eames躺椅(1956)和George Nelson设计的眼睛钟,Eames Lounge Chair (1956) by Eames and Eye Clock by George Nelson

 

02.人体工学椅区

Ergonomic Chair Zone

“我们需要的是一款史无前例的全新座椅。”“We wanted a totally new kind of chair.” – Bill Stumpf & Don Chadwick

上世纪之初成立在美国的赫曼米勒(Herman Miller)可被称作是现今世界最知名的办公众具企业,它旗下的很多产物,如 Embody、Aeron都成为经典。

Established in America in the earth 20th century, Herman Miller can be deemed as the most prestigious office furniture brand in the world. Many of its products, such as Embody and Aeron, have become classics.

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理性中的“logos”精力,它是统摄一切的精力,致力在把“一切”规范为同一的“一”,我们熟知的科学精力恰是从它而来。黑色尝试室里只有理性的天光,在他之下是理性的实际情势:顶级的人体工程学椅。

“Logos” is the rational spirit dominating everything, which strives to unify “all” into “one”. It is the origin of scientific spirit. In the black lab, there is the “light” of reason, under which are ergonomic chairs — the physical forms of rationality.

▼黑色尝试室里只有理性的天光,in the black lab, there is the “light” of reason

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只有在如许纯洁的空间里,人材不会被打搅,而是把感触感染力都用在对产物科技感的体验上。展厅人来人往,为了让体验者有一个更安好的空间,墙面材料用的是吸音毛毡。

Only in such a pure space, people are able to concentrate on experiencing the scientific and technological sense of the products, undisturbed by others. Considering that many people come and go in the showroom, the designers utilized sound-absorbing felt as wall covering, so as to provide the visitors with a more tranquil environment.

▼空间细节,interior detailed view

Aeron人体工学椅被誉为“人类有史以来最健康舒适的工作座椅”。Aeron is praised as “the most ergonomic and comfortable office chair ever”.

▼Aeron椅,Aeron chair

 

03.家庭办公区

Home Office

“细部是空间的精力,是建筑之诗的说话重心。” – Carlo Scarpa《空间中活动的诗性》“Detail is the spirit of space, and language focus in the poem of architecture”- Carlo Scarpa: Poetic Features Filled in the Space

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空间安插:斟酌视觉的持续性,在统一视野上放置分歧的组合,构成空间之间的对话。

Interior arrangement: In view of visual continuity, the designers arranged different combinations at the same sight line, which generates the dialogue between spaces.

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乔治·尼尔森(George Nelson, 1907-1986年)被认为是美国最具影响力的人物之一,他是建筑师、家俱设计师和产物设计师,曾担负Herman Miller家俱公司的艺术总监长达20年,可以说和Eames佳耦一路形塑了美国现代家俱的样貌。

As an architect and furniture & product designer, George Nelson (1907-1986) is regarded as one of the most prominent figures in the US. He had been the Director of Design in Herman Miller for 20 years. So to speak, George Nelson shaped the picture of modern furniture in America together with Charles and Ray Eames.

▼由乔治·尼尔森设计的泡泡灯,备受卒姆托等巨匠的青睐,Nelson Bubble Lamp / Highly favored by Peter Zumthor and other design masters

在建筑群落中,这是实体以外,分歧的建筑情势在更广的空间中素质上是协调的,由于艺术品是人的素质的表现(正如我们所认为的,在人道某人所从事的各个范畴中,古今、工具方一定存在遍及的配合性一样)。

Within the architectural community, this area transcends physical forms. In essence, different architectural forms are harmonious in a wider space, because artworks are embodiments of human nature (As we believe, in all fields related to humanity or human activities, there must be something in common between the East and West, the past and present).

▼家庭办公区,Home Office

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人的身体是魂灵的图景 – 维特根斯坦“The human body is the best picture of the human soul.” – Wittgenstein(1889~1951)

艺术品选择斟酌:跟家具最亲近的是人的身体,艺术家用简练的线条勾画出的人体跟家具有自然的亲和力,能很好地将不雅众的体验代入空间中。

Consideration for artwork selection: What gets closest to furniture is human body. The paintings of human bodies sketched with simple lines have a natural affinity with the furniture, which can better integrate the visitors’ experience into the space.

▼室内空间,interior view

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▼画作,Paintings ©東長

在三个空间的交汇处,空间元素中最纯洁的形:正方体和球体构成一个年夜体量的雕塑,跟空间呼应,将全部空间的气味买通。球体同时是太阳的意向,置在方体的一角,使步履中的人在分歧空间点体验到它分歧的“形态”和“强度”:或年夜或小、或丰满或残破。它在最高处,你坐下静不雅时,它天然闪现;你一步履,它便消逝不见,有如我们对实际太阳的体验。

At the junction area of the three spaces, two geometric forms, a cube and a sphere compose a sculpture with a large volume. It echoes the space, and injects a flexible atmosphere into it. The sphere, the imaginary of the sun, is placed on a corner of the cube, so that the moving people can feel its distinctive “forms” and “strength” at different positions, either large or small, full or incomplete. When people sit down to watch it, it appears naturally at the top, but while they move, it will disappear, just like our experience of the sun.

▼正方体和球体构成年夜体量的雕塑, a cube and a sphere compose a sculpture with a large volume

 

04.糊口艺廊

Living Gallery

待在家里是一种走向迷人户外空间的新体例。- Ligne Roset“Staying home is the new going out to a fancy place.” – Ligne Roset

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白色实体是一个持续的糊口空间,由内而外顺次是卧室/餐厅/欢迎厅/健身房,分歧功能的各空间经由过程厚墙过渡,给人强烈的情势感。糊口本应当是如许,正式地看待每件工作。 数学上的反复性发生一种节拍感会把人引向无穷。

The white entity is a continuous living space. From inside out, there is the bedroom, dining room, living room and gym, all of which are partitioned by thick walls, delivering a strong sense of formality. That’s exactly how life is supposed to be — taking everything seriously. Repeatability in mathematics can create a sense of rhythm, which leads people to infinity.

▼糊口艺廊,living gallery

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工具方文化中的“阴”和“阳”(东方)、“逻各斯”和“努斯”(西方)无不是在彼此“否认”中成绩彼此,且密不成分。在设计情势上,“内”和“外”、“方”和“圆”、“冷”和“暖”、“单一” 和“无穷”等在“冲突”中彼此助长,揭示出一种内涵张力和秩序感。

“Yin” and “Yang” in the Oriental culture, and “Logos” and “Nous” in Western philosophy, all complement each other through mutual negation. Likewise, in terms of the spatial design, “interior” and “exterior”, “square” and “round”, “cold” and “warm”, as well as “unitary” and “infinite”, also promote each other in “conflicts”, showing a sense of tension and order.

▼内涵张力和秩序感, a sense of tension and order

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精在心,简在形。“The simple expression of complex thought.” – Donald Judd (1928~1994)

▼展厅空间,exhibition areas

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▼走廊,corridor

   

▼平面图,plan

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项目名称:奕居国际(Yi’s International)+ Herman Miller广州零售展厅 

项目地址:广州琶洲吉盛伟邦五楼

项目面积:300 平方米 

落成时候:2018 年 11 月

设计单元:Peng & Partners (鹏和伴侣们设计公司)

总设计师:王鹏

手艺总监:李源 

设计团队:古浩鹏、李程 

施工负责人:吴义伟

照明参谋:月光照明、阿古尼照明(AGN) 

摄影:邵峰

首要材料:Bolon地毯、毛毡、桦木饰面板

品牌调集: Herman Miller + Ligne Roset, Technogym, Georg Jensen, Louis Poulsen, Villeroy & Boch

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